Wilkie Collins’ Woman in White is another link in my book chain that’s followed The Thirteenth Tale. Along with Jane Eyre and Wuthering Heights, Woman in White is mentioned several times. Like T13T, WiW is a fun, engaging thriller, with many odd and humorous characters. A young art teacher helps a woman one night, and finds himself tangled up in her destiny, which has a wide reach. There’s thwarted love, mistaken identity, dire secrets, and one of the best, most entertaining villains I’ve encountered in a long while, and he doesn’t even appear until 200+ pages in. Count Fosco, as he would undoubtedly tell you himself, is an astonishing character. Villainous, hilarious, and so fascinating to imagine that I wouldn’t want him to be dramatized in a movie–a real actor could not do justice to the many descriptions and characteristics of this vain, vile, large and tall man.
The tale is told in sequential narratives by different characters. This is done very well–events are not repeated, but expanded on from the point of view of another character when they overlap. The narratives are all well distinguished in the voice of their character. The mystery and its resolution unfold up to the very end, and I was happily engaged with this book for its 600+ pages.
At some passages, I raised my eyebrows:
The rod of iron with which he rules [his wife] never appears in company–it is a private rod, and is always kept upstairs.
Indeed. Ahem.
Other passages, especially ones by villains or lesser characters, made me laugh out loud:
Creaking shoes invariably upset me for the day. I was resigned to see the Young Person, but I was NOT resigned to let the Young Person’s shoes upset me. There is a limit to my endurance.
By the end, in fact, I was rather bored with the two main characters; they were comparatively dull, and largely overshadowed by the larger, more complex and entertaining cast. I think, though, this was intentional. In all, it was a “thumping good read.” I tried and failed to confirm the origin of this phrase (is it the book award?), but it means a book that is enjoyable for its story more than for its literary art, much as I felt about The Thirteenth Tale.