Archive for the 'comic books' Category

Sandman Read Wk 2: THE DOLL’S HOUSE

Sunday, December 14th, 2014

dolls_house

It is 9:30 on Sunday night, and I’m staring at this page, and it’s staring back to me, and I wonder, how on earth can I do justice to the sprawl of flaming crazy awesomeness that is volume 2 of The Sandman, The Doll’s House?

If you’re on twitter, join us with the hashtag #SandMN. If you’re not, then follow along here on Mondays. The reading schedule is here.

This collection opens with #9 “Tales in the Sand”, an African “folk tale” made up entirely by Gaiman, and refers to other tales, which he also made up.

(You really have to watch out for Gaiman. In American Gods, he made up some Slavic goddess, Zorja Polunochnaya, and depending on how you look her up online it’s really easy to believe that she was an actual goddess, and not something Neil just pulled out of his…head.)

We get the story of Nada, the woman we briefly met in #4, A Hope in Hell, who had been imprisoned there after rejecting Dream, or Kai’ kul, the incarnation of her people. If this is the men’s version, how much more scathing must the women’s version of it be? We got some indication of this before, but Dream can be a real jerk. Also in this story, we get images of hearts, as well as the difference between men’s and women’s stories, both of which will be themes throughout the series.

#10, “The Doll’s House” in which we meet the twins, Desire and Despair, as well as Rose Walker, who learns she is the granddaughter of Unity Kinkaid, who was impregnated and had a baby while she slept in issue #1. When Rose dreams, the page goes sideways. We get to see one of my favorite recurring characters, Goldie the gargoyle, who adorably says “meep” and “aarkle”. We get yet another appearance of the three witches, one of Gaiman’s favorite myths that he deploys throughout his work. And we meet the Corinthian, an escaped dream, and a very bad man.

#11 “Moving In.” Rose moves into a house in Florida so she can track down her younger brother Jed. She’s watched by Matthew, Dream’s talking raven, who used to be Matthew Cable in the series Swamp Thing. Jed is in a very bad place, and is having odd dreams that are homages to Windsor McKay’s Little Nemo in Slumberland.

#12 “Playing House” we meet Lyta and Hector Hall who have been playing Sandman under the tutelage of two escaped dreams. Hector is really a ghost, but Lyta has been in a suspended pregnancy. Dream, being a jerk again: “The child you have carried so long in dreams. That child is mine. Take good care of it. One day I will come for it.” And then he lets Jed get away and fall into the hand of the Corinthian.

#13 “Men of Good Fortune” seems plopped in there, but it’s the prior engagement Dream mentions when he runs off after telling Lyta he’ll be back for the child. We meet a guy named Hob, but even better we meet some hack playwrite named Will. Dream talks to them both, and interesting things happen. This is one of my favorite issues (all the ones with Shakespeare are.)

#14 “Collectors.” That’s Neil Gaiman modeling for the Corinthian on the cover. If you didn’t like the horror in issue 6, 24 Hours, this one is pretty horrific too. But Dream unmakes the Corinthian, so while he may be a jerk, he’s pretty badass. Plus Gilbert comes back with Jed, yay!

#15 “Into the Night.” Barbie has the coolest dreams, doesn’t she?

#16 “Lost Hearts.” That’s Neil Gaiman again on the cover. Does it bug anyone else that he is his own Mary Sue/model for the King of Dreams?

Gilbert turns out to be a place, Fiddler’s Green, and while he can’t stand in for the death of Rose, Unity can. I love this exchange:

Dream: I don’t understand–

Unity: Of course you don’t. You’re obviously not very bright, but I wouldn’t let it bother you.

And we learn that the whole thing has been a long game played by Desire to bring down Dream, and he threatens Desire, whose house is a doll.

I love this, too:

Dream: We of the endless are servants of the living–we are NOT their masters. WE exist because they know, deep in their hearts, that we exist. When the last living thing has left this universe, then our task will be done. And we do not manipulate them. If anything they manipulate us. We are their toys. Their dolls, if you will.

So, what did everyone else think?

Sandman Read Wk 1 PRELUDES & NOCTURNES

Monday, December 8th, 2014

sandman_preludes_and_nocturnes

Welcome readers to the online readalong of Neil Gaiman’s Sandman comic-book series! We’re reading one of the 10 main graphic novel collections a week over December and January.

This week we’re discussing Sandman Volume 1: Preludes and Nocturnes, or issues 1-8 of the series. I’ll be posting here, and we’re tweeting under the hashtag #SandMN.

This post will be to start the conversations.

I was hooked by all the literary references and the comic-book ones too, even if I didn’t know who Scott Free and the Martian Manhunter were. (AND, guess what–you don’t need to!) BUT, that said, “24 Hours” is one of the most horrific issues I’ve ever read. I shudder when I remember it, and it’s one that friends have told me stop them from continuing through the series.

It certainly is one of the most overtly horrific issues of the series. Also, it’s the first after artist Sam Kieth (of The Maxx) dropped out. (Makes me wonder if he dropped out because of the script of “24 hours”.)

I advise people to read through issue 8, ‘The Sound of Her Wings’, before bailing. That issue, with its dramatic reveal, is one of my all-time favorites both of the series specifically, and comics in general.

A note about editions: I’m reading from the Absolute Edition Sandman Volume 1 which reprinted the series in large, lovely slip-covered editions, and what sold me on buying something I’d already owned twice (first in single issues and then in the 10 issue of graphic novels.)

Below is a good example of how wonky the color was in the original series and GN reprints. The original of p. 11 in issue 1 is on the left, the recolored version on the right. I’m not a color expert, but looks like an oversaturation of Yellow that made poor Stefan Wasserman’s face green. In the recoloring, it doesn’t look so weird.

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Please note that when you send a comment it goes to moderation till I approve it. Otherwise, we’d be slammed with spam, and no one wants that.

What did everyone else think? What version/edition are you reading?

Start Your Engines: Neil Gaiman’s “The Sandman” Readalong

Monday, December 1st, 2014

sandman

My friend Jeff K, who leads Twin Cities’ Books and Bars, the folks of Beer + Comix at Wild Rumpus, and I are doing a readalong of Neil Gaiman’s The Sandman comic-book series. (Original post was here.)

(This is in addition to my Odyssey readalong, because I’m a glutton for punishment.)

The original series was 75 issues plus some specials. They’re most commonly collected in 10 graphic novels. Full-price retail is about $20 each though they can be gotten for less at Powells.com and other retailers including your local, independent comic shop. Digital copies are available for $12.99 each at Comixology. Most libraries have the ten volumes as well as some of the other collections (Absolute, Annotated, and Omnibus). They are also fairly easy to find used.

I’ll have weekly posts here at Girl Detective on Mondays, plus both Jeff and I will be tweeting about each week’s issues starting Monday, too.

On Twitter, Jeff is @BooksandBars and I’m @kjboldon. We’ll use the hashtag #SandMN for our discussions.

We’re reading over December 2014 and January 2015. The dark of winter will be a great time to read or re-read this intricate, atmospheric work.

12/1/14 start reading Sandman: Preludes and Nocturnes v. 1 (issues 1-8)

Blog post and tweets go live on 12/8/14 about Sandman: Preludes and Nocturnes v1, #1-8 (8 issues)

Blog post and tweets go live on 12/15/14 for Sandman: A Doll’s House v2, #9-16 (8 issues)

Blog post and tweets go live on 12/22/14 for Sandman: Dream Country v3 #17-20 and Sandman: Season of Mists v4 #21-28 (12 issues)

BREAK for holidays and to catch up

Blog post and tweets go live on 1/5/15 for Sandman: A Game of You v5 #32-37 and Sandman: Fables and Reflections v6 #29-31, 38-40, 50, Special #1 (14 issues)

Blog post and tweets go live on 1/12/15 for Sandman: Brief Lives v7 #41-49 and Sandman: World’s End v8 #51-56 (15 issues)

Blog post and tweets go live on 1/19/15 for Sandman: The Kindly Ones v9 #57-69 (13 issues)

Blog post and tweets go live on 1/26/15 for Sandman: The Wake v10 #70-75 (6 issues)

Meet up! We’ll meet in person on Monday January 26, 2015 at 6pm at Wild Rumpus bookstore in Minneapolis to discuss the series and celebrate.

Are you interested in reading along? Do you have questions, or need advice? Email me at girldetective (at) girldetective (dot) com, or ask in the comments, or tweet at me. I hope you will join in!

“Wonder Woman: War” and “Finder: Third World” GNs

Thursday, November 6th, 2014

The 4th volume of the current Wonder Woman series, War, continues strongly. It’s full of gods and monsters, and sometimes it’s hard to tell which is which. This volume spans worlds and mythologies jumping from Olympus to Earth to New Genesis. There’s a series of faceoffs with the Big Bad, the Firstborn, and an impressive ending that makes me eager for the next set of stories. Good story, good art, one of my favorite comics right now, and one of the few superhero books I read (along with Marvel’s Hawkeye.) If you want to know where to start, go to Volume 1 of the current run: Blood.

Finder: Third World by Carla Speed McNeil is in full color, and it’s BEAUTIFUL. I love this series, and will soon have been reading it for decades. This one’s a series of connected short stories about Jaeger, and we get more tantalizing bits about his past. Want to know where to start? Talisman is a great place.

“Through the Woods” by Emily Carroll

Thursday, October 30th, 2014

woods

For my most recent, fifth book group, Beer + Comix held at Wild Rumpus bookstore in the Twin Cities, I read Through the Woods by Emily Carroll a graphic novel collection of short story/fable-type things.

Carroll’s work reminded me strongly of Angela Carter’s reimagined, feminist retelling of old fairy tales. They felt hauntingly familiar even though they are Carroll’s own work. The art and interplay with text were lovely to read.

The collection has four stories with young women as main characters. The central story is “His Face All Red” which is available online. The stories made for a good discussion, as they are open to interpretation, and all the spookier for it.

“Fables v. 20: Camelot”

Wednesday, October 29th, 2014

Like Unwritten, Fables the comic series is coming to a close. In this collection, Camelot, we have tension between sisters Snow White and Rose Red. Snow is being fierce while Rose is being stubborn about what is probably a bad idea. Leigh Duglas is up to no good, and what’s going to happen with Bigby Wolf? I enjoyed this collection a lot more than I did the previous one, Snow White, and especially the issue set in something like the afterlife.

The Unwritten v9, 10: Fables & War Stories

Wednesday, October 29th, 2014

As the comic-book series The Unwritten closes in on its ending, I read the two latest collections, Unwritten: Fables and Unwritten: War Stories, back to back.

I had a moment of panic when I started Unwritten: Fables, which crosses over with the Vertigo series. The Fables-verse seemed in a very strange place from where I remembered it. Quick answer: don’t panic. This is like an elseworlds, it doesn’t fit into strict continuity, things are weird in the Fables world of this book because the Unwritten world has de-stabilized all stories. Just go with it and enjoy it, and appreciate the many similarities and differences. As always, I liked spending time with Frau Totenkinder.

The Unwritten: War Stories
has Tom recovering from the events in Fables. All the war stories begin to come alive, and Pauly Bruckner has some more tough times.

These were tantalizing reads as the series is about to end, and I’m hoping the creative team can stick the landing. As I’ve mentioned before, this series is full of geeky goodness, and fans of Sandman, Fables, and other mythic literature will likely enjoy it.

“Saga v1″ by Brian K. Vaughan & Fiona Staples

Wednesday, October 29th, 2014

The Saga comic-book series has quickly developed a rabid fan base. Vaughan is a popular writer, but I had problems with his former series Y the Last Man (too static art), and Ex Machina (hated the ending). Saga, though, reminded me of his earlier work on Runaways, which I enjoyed a lot more. Saga volume 1 collects the beginning of the series.

Vaughan describes it as “Star Wars for perverts” and that’s not inaccurate. It’s not for the weak of stomach, and has graphic violence, horror, and sex. It also has a great sense of humor, a winning cast featuring star-crossed lovers Alana and Marko, a ghost babysitter, a sidekick cat who can tell who is lying, a living tree spaceship, and more, more, more. And Fiona Staples’ art is entertaining as all get out.

“The Shadow Hero” by Gene Luen Yang & Sonny Liew

Wednesday, October 29th, 2014

I liked Gene Luen Yang and Sonny Liew’s The Shadow Hero as I read it, then even more when I read the back matter detailing the admittedly sketchy history of the actual Golden Age comics hero The Green Turtle.

Yang (American Born Chinese, Boxers, and Saints) writes and Liew illustrates, and it’s a good partnership. Like American Born Chinese, this mixes myth and the struggle of Chinese Americans. The main character is Hank, a young man who works in his father’s Chinatown grocery. The balance of realism, superhero tropes and Chinese myths drew me in quickly. This is a fun read with serious undertones, historical echoes, plus, perhaps my favorite part: Turtle God!

“Smile” and “Sisters” by Raina Telgemaier

Friday, September 12th, 2014

smile sisters

I read Raina Telgemaier’s second book, Drama, before I read her first, the comic-book memoir Smile. I liked Drama, but didn’t love, and figured I’d check out Smile at my leisure.

In the comic shop a few weeks ago, they had a box set of Smile plus Telgemaier’s new book, Sisters. I hemmed and hawed about buying them. You know the drill–not supposed to spend money, not supposed to buy more books, not sure I’ll like them, blah, blah, blah. Then, to absolutely no one’s surprise, I bought them.

To MY surprise, however, I was not the first one to read them. 11yo Drake and 8yo Guppy tore into them as soon as we got into the car, then traded, then re-read them. I’d bought them for me, hoping the boys might, maybe, be interested in these books even if they were about girls. Both boys had read both books multiple times by the time I got to them.

And they’re just lovely. Smile is the story of Raina’s childhood accident when she loses her two front permanent teeth, and has to navigate dentral trauma and drama in her early teens. Sisters is another window that focuses on her relationship with her younger sister Amara, and a cross-country car trip in a van.

The art is well done and accessible, the stories and emotions full of stuff to relate to. It was a joy to visit Raina’s childhood both times, even when it was difficult and sad.

A few days later, one of Drake’s friends down the street borrowed the books, then returned them. Apparently his mom and older brother had also read and enjoyed them in the meantime.

I’m not sure I’ve ever bought books that were so loved by so many, so quickly! A definite win.

“Embroideries” and “Chicken with Plums” by Marjane Satrapi

Wednesday, September 10th, 2014

I followed up my recent re-reading of Marjane Satrapi’s Persepolis with two of her other memoirs about her family, Embroideries, and Chicken with Plums.

embroideries

Embroideries expands on the life of Marjane’s grandmother, and stories are told by her and her friends in regular women’s gathering for tea. The stories are about marriage, sex, love, and its lack. The intimate setting of a small living room contrasts with the oppressive regime outside in Iran, and makes this small book a real gem.

chicken

Chicken with Plums is the story of one of Satrapi’s great-uncles, a musician in an unhappy marriage. In flashbacks, we learn his history in music and love. This is the second time I read the book, and both times it failed to connect with me emotionally as Satrapi’s other books did. Neither the story nor images remain with me, as they do from the other books.

“Stardust: Being a Romance Within the Realms of Faerie” by Gaiman/Vess

Wednesday, September 10th, 2014

stardust

After I finished re-reading Neil Gaiman’s The Ocean at the End of the Lane, I felt ambivalent, meaning torn, not indifferent. My favorite part of the book was the Hempstock family. A friend told me that the Hempstocks appeared in two other Gaiman works, Stardust and The Graveyard Book. I took my lovely edition of the graphic novel off a dusty shelf and dove in, probably for the first time since I read it in the individual issues when they came out in 19xx, and subsequently earned a World Fantasy Award. After that, Gaiman made a prose novel out of it, and after that it was turned into a movie. But before all that, it was a four-issue comic-book series, and that is what I re-read.

The tale starts with a young man named Dunstan Thorn, but soon shifts to the future and Dunstan’s son Tristan, who makes a rash promise to a pretty girl. An adventure in the land of Faerie begins, which includes murder, mayhem, witches, unicorns, falling stars, prophecies, a weird small farting creature, truth, and lies.

Gaiman and Vess have obvious affection for a good fairy story. Gaiman’s market is straight out of Christina Rosetti’s poem The Goblin Market, and Vess’s illustrations hark back to Arthur Rackham’s classic fairy drawings. While Tristan’s tale is fun and interesting, the only Hempstocks that appear are dull and conventional, nothing like their sparkling sistren in The Ocean at the End of the Lane.

This is an entertaining diversion, made better by its illustrations. Thus, I can’t see the value in seeking out the prose novel, but I remember the movie was pretty good.

“Seconds” by Bryan Lee O’Malley

Thursday, September 4th, 2014

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Seconds is a standalone graphic novel by Bryan Lee O’Malley, author/illustrator of the Scott Pilgrim graphic novel series. Scott Pilgrim was about a twenty-something Canadian slacker boy. Seconds features Katie, a 29-year-old chef on the verge of opening her own restaurant.

Katie has a gorgeous ex named Max, a weird server working for her named Hazel, a money pit of a new restaurant, and a hot affair going with the new chef at Seconds. Katie starts having weird dreams, and after a rough night, she finds something weird in the dresser that came with the house. If she eats a mushroom and writes down something she regrets, she gets a second chance to make it right. Then things get really weird.

Seconds is funny and charming, with manga-influenced art and its Japanese folk mythology.

One of my favorite aspects was when the narrator of the story would argue with Katie, and the words would clash with the pictures. From page 11, which you need to see to get the full effect:

Narrator: Katie was stressed out.
Katie: I’m perfectly fine.
Narrator: She was sleeping too little, worrying too much, feeling old.
Katie: She was in her twenties and young and totally great.
Narrator: At 29, she felt like everything was slipping away.
Katie: Um, no.
Narrator:…and she was talking to herself more than usual.
Katie: [scribbly ball of frustration or cursing]

It’s also a lovely coming-of-age tale about that liminal time of 29 when big, scary things often happen in life, and an entertaining, sometimes scary meditation on the old adage of “Be careful what you wish for.”

“Persepolis” by Marjane Satrapi

Wednesday, August 27th, 2014

persepolis

I read Marjane Satrapi’s two comic-book memoirs, Persepolis: The Story of a Childhood, and Persepolis 2: The Story of a Return, years ago when they were released in the US. I recently selected them for one of my book groups, as some members had never read a graphic novel or memoir. Not only do I think they are accessible and compelling, but I think they’re great examples of the comics medium, showcasing how deceptively simple black and white art can convey a story with multiple layers and meanings.

Persepolis 1: The Story of a Childhood, is about Marjane’s youth in Iran, where her parents are wealthy intellectuals. She provides history of the country, as well as numerous small but telling details of her life, and her parents lives, under the increasingly repressive religious regime of the Ayatollah after the Shah was deposed.

Satrapi and I are nearly the same age. Some of my first political memories are of the hostages in Iran, and the US media’s portrayal of heroes and villains in the uprising. I only wish I’d had a book like this when I was younger, but it’s better late than never.

Persepolis 2:The Story of a Return, is harder to like, but a more complicated book. In the first book, Marji is a charming child, and a pawn of the history happening around her. In book 2, she grows to adolescence, and adulthood, making flawed and human mistakes while still portraying the evolving political environment and oppression, as well as her and her friends and families small rebellions within it.

The volumes are available separately, or together in a collected version. Additionally, there is an animated film for which Satrapi was a collaborator. It is lovely and evocative, both similar and different to the books, but leveraging motion and sound to tell the story in different ways. If you haven’t read the books, do so, then see the movie.

“Sex Criminals: One Weird Trick” by Matt Fraction

Monday, August 25th, 2014

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As I try to catch up on my book blogging, I keep an eye out for opportunities to condense and collapse, two books by an author, or graphic novels. Should I pair a graphic novel with the novel that spurred me to re-read it? Or should I pair it with the other graphic novel I read near it, which was superficially very different, yet perhaps lurkingly the same. As I type this, I’ve gone with the latter, but we’ll see how things end up. I may have to give each of them their own entry.

Let’s just get this out of the way, then, especially for you kind readers who visit from Semicolon’s Review of Books. One of the graphic novels is a collection of the series Sex Criminals: One Weird Trick by Matt Fraction and Chip Zdarsky. It was recommended by a friend who leads a local book group. I had passed on it because of its title both when I saw the comic coming out monthly and when I saw it collected, but my friend was adamant that it was great, so I gambled the $9.99 (well played, Image Comics marketing) for the collection, and ended up glad I did. While it is definitely weird, and about sex, it isn’t depraved. In fact, it’s often kind of sweet. Really!

Suzie is an average young woman who works in a library about to be bought by a large corporation. There is one weird thing about her, though. When she has an orgasm, time stops, and she can wander around in it while others are frozen. One night at a party, she and a guy named Jon hit it off, and she is startled to learn he has the same ability. Jon is a book-loving geek, and he and Suzie are quickly fascinated and infatuated with one another. With their rising passion, they conceive the idea to rob the bank that’s destroying the library and buy back the books with what they steal. They’re like Robin Hood, with orgasms. Unfortunately, they’re alarmed to find there are some sort of sex police who can also move in stopped time, intent on stopping Suzie and Jon, no matter how well intentioned.

Sex Criminals is one weird trick, indeed. Suzie and Jon are so charming, though, and the questions about who and what the time police are, have me waiting eagerly for the next collection. So eagerly, in fact, that I am now reading it monthly, not waiting for the trade.

OK, well, there you go. Apparently, I think Sex Criminals deserves its own entry.

“Boxers” and “Saints” by Gene Luen Yang

Thursday, June 26th, 2014

boxers saints

As if I don’t have enough book groups–I attend three on a regular basis–a friend asked if I wanted to attend a graphic novel discussion of Gene Luen Yang’s Boxers and Saints.

Oh, wait, and I’m doing a readalong of Moby Dick, does that count? And reading a string of books along with my boys this summer. So I probably shouldn’t have said yes but did anyway. Story of my life. I set aside Moby and Walden (which, frankly, aren’t that hard to put down, though they kind of put me down–to sleep that is) and picked up Yang’s graphic novels, which are companions and meant to be read together, ideally with Boxers (the big one) first.

Boxers tells the story of Little Bao, a boy in 1898 China who sees his family and village devastated by the effects of foreigners and Christianity. He and others join together, harnessing the power of Chinese gods to defend against the “foreign devils.” But what happens when the tenets of kung fu clash with their attempt to preserve their culture and beliefs?

Saints is the story of Four-Girl, befriended and taken in by Christians. She sees visions, first from Chinese myth and later from Christian myth. She is a pleasingly complex character, and I was more drawn in to her story than to Bao’s. The stories intersect, and I was glad to still have Boxers at hand to refer back to.

Like Yang’s autobiographical American Born Chinese, these contain history, personal stories, and magical realism. I knew little about the Boxer rebellion, and was glad to read about it.

“American Born Chinese” by Gene Luen Yang

Thursday, June 26th, 2014

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A friend invited me to a book discussion of Gene Luen Yang’s graphic historical novels Boxers and Saints, so I figured I’d finally seize the synchronicity and pick up Yang’s highly acclaimed, award-winning first graphic novel, American Born Chinese.

The stories of three beings interweave: the ancient Monkey King of China, a boy named Jin Wang moving to a new school in the US, and an American white boy named Danny whose cousin, Chin Kee, visits and embarrasses him on a regular basis.

I enjoyed the exploits of the monkey king and Jin’s story. Less clear to me, and far less enjoyable (though not intended to be) were the episodes with boring Danny and his offensively caricatured cousin Chin Kee, embodying numerous American stereotypes of Asians, and set to a visual laugh track. These sections were discomforting, deliberately confronting racist stereotypes, and felt less balanced than the other two story lines when all three intersected.

I wanted to really like this book, I can see why it’s so highly praised, I question my reasons for merely liking it but in the end, that’s what it was: I liked it.

“Skim” and “This One Summer” by Mariko and Jillian Tamaki

Friday, June 6th, 2014

I picked up the graphic novel This One Summer by cousins Mariko and Jillian Tamaki at the comic book store, flipped through it and thought it looked good. Then I flipped it over, and something about the range of blurbs sold me. Hope Larson and Craig Thompson are graphic novelists whose work I admire. Sheila Heti wrote a critically acclaimed book that a few of my friends really hated. Daniel Handler is Lemony Snicket. The range of blurbers, as well as their sincere sounding blurbs, made me put it in the weekly to-buy pile. I devoured the book, and thought it would have held its own among some of the young-adult classics from The Summer of Shelf Discovery I did a few years ago.

thisonesummer

This One Summer is told from Rose’s view. She and her parents go to Awago Beach every summer. But this year, as she’s stepping away from childhood and dipping her toe into moody adolescence, her parents are fighting, her friend Windy is provoking, and everything seems to be changing. As the book progresses we learn more about why Rose’s mom is so distant, and get insight into a drama the local teens are enmeshed in. We discover, with Rose, lovely things, sad things, disturbing things. The book deftly evokes that awkward age, and the push/pull between teen and adult weirdness and longing for childhood innocence and fun.

skim

After I finished, I sought out the cousins’ first book, Skim. The main character is also a young girl’s coming-of-age novel. Skim is the unkindly bestowed and stoically endured nickname for Kim, a not slim girl in Canada who is interested in Wicca and the tarot. She also has to manage well-meaning but unhelpful parents, a new crush, and school society after a tragedy intrudes. Her friendships at the girls’ school she attends ebb and flow, with mean girls and cliques and other slices of life.

This is the thing about school dances. They make like it’s supposed to be this other-worldly thing, but really it’s just the people you see every day dressed up, standing in the gym in the dark with Red Hot Chili Peppers playing.

Both books are lovely to look at and well written. They touch on sexuality, sexual orientation, friendship, and parents, the often fraught battlefields of the pre-teen and teen years. I’m glad to have read them both.

Two Graphic Novels

Friday, May 16th, 2014

I am trying to catch up on my book blogging, so I may do a couple of combo-pack posts like this one. I’m doing my comic-book and graphic-novel reading in between bigger books, so they’re kind of like mortar in a brick wall.

iron

I’m really enjoying the current run of Wonder Woman, and the latest graphic novel collection is volume 3, Iron. Wonder Woman is trying to figure out what shenanigans the Greek gods are up to, and where the heck Zeus has gone. I’m really enjoying the art, and the portrayal of the gods.

nemo

Speaking of bad-a$$ female protagonists, the latest novel in Alan Moore’s League of Extraordinary Gentlemen features Janni, the original Captain Nemo’s daughter, who goes after the men who kidnapped her daughter. Much of this is in German, though it’s not impossible to follow, since as we all know, Nazis are bad.

The Unwritten v. 8: Orpheus in the Underground by Carey and Gross

Saturday, February 22nd, 2014

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The Unwritten: Orpheus in the Underground is the 8th volume in the Unwritten comic book series about a boy named Tom Taylor, whose father wrote a popular series of books starring a boy wizard named Tommy Taylor. This volume featured the return of many favorite previous characters, and satisfying redemption of one particularly nasty one. If you like graphic novels like Sandman or Lucifer or Fables, you should be reading this series.